New article in the Spanish press exploring Dos Passos’s travels in Spain, especially Toledo.
Posts By: John
“All right we are two nations,” reads John Dos Passos’s The Big Money (1936). One of his most anthologized, most quoted passages from a long, full life of letters. It tells succinctly the American Dream’s broken promise, and now it appears in The Wall Street Journal.
Sure enough, Hotel Continental in Barcelona has a video advertising its historical significance as a residence for George Orwell during the Spanish Civil War. This hotel was also where Orwell met John Dos Passos for a brief political discussion. “We didn’t talk very long,” wrote Dos Passos in The Theme Is Freedom (1956), “but I… Read more »
It isn’t as handsome or comprehensive as Clemson University Press’s new annotated Manhattan Transfer, but an annotated edition of John Dos Passos’s Three Soldiers does exist in the form of the 1997 Penguin edition with introduction by Dos Passos biographer Townsend Ludington. It has historical notes and translations in the back matter. Three Soldiers has… Read more »
I’ve started digging into Donald Pizer’s new annotated version of Manhattan Transfer and it’s awesome. Here is a very helpful note on page 3 that explains the context of the title: “During this period, [1896 to 1904] rail passengers wishing to cross the Hudson River from New Jersey to Manhattan left the train at the… Read more »
This is a spectacularly innovative adaptation of John Dos Passos’s work. Enjoy this video of composer Michael Dellaira’s choral song based on Dos Passos’s biography of the Wright brothers in the USA trilogy, “The Campers at Kitty Hawk.” The Chaffey College Chamber Choir sings, intercut with footage of the college airplane hangar. The marvel of… Read more »
The John Dos Passos Cultural Center in my family’s ancestral hometown in Ponta do Sol, Madeira (an autonomous region of Portugal) is serving its community with its new Digital Nomad initiative. On January 19, 2021, Travel + Leisure reported that “Phase one of the project will start on Feb. 1 and last through June 30,… Read more »
An extraordinary piece of film modernization–check out this footage of New York City in 1911, originally shot by a Swedish film crew. It’s been adjusted in various ways to give a modern feel. Beyond the general historical value, it provides a deep sensory experience of the time period covered by John Dos Passos’s Manhattan Transfer… Read more »
It’s September 24–F. Scott Fitzgerald’s birthday. A word from John Dos Passos on Fitzgerald’s talent, published in The New Republic.
Major Dos Passos allusion in CBS journalist John Dickerson’s recent tribute to civil rights icon John Lewis. Wow. The quote is from Dos Passos’s The Ground We Stand On (1941). Here an excerpt from Dickerson’s article including the allusion: “The political book in that backpack starts with a quote from the writer John Dos Passos:… Read more »
On the 100th anniversary of the publication of John Dos Passos’s first published novel, One Man’s Initiation, scholar par excellence Lisa Nanney writes about the novel’s significance at the Liverpool University Press blog. Included in the blog post is a rare pastel crayon sketch of my grandfather’s. It’s eerie and evocative.
The Times Literary Supplement: John Dos Passos died in 1970, the last survivor of the so-called Lost Generation. As it happens, his first novel, One Man’s Initiation: 1917, was published in 1920, offering a handy coincidence to anyone thinking of reviving his reputation. Dos Passos was also a painter. Here we show a detail from… Read more »
I’ve revisited my grandfather’s very first novel, One Man’s Initiation: 1917, as I prepare to see the new film 1917, directed by Sam Mendes. Dos Passos was a novice when he wrote it, but not a fool. He excelled at romantic vignettes: “in the last topaz-clear rays of the sun, the foliage of the Jardin… Read more »
What a splendid way to end the year! Yesterday, The New Yorker published a re-appraisal of John Dos Passos’ U.S.A. trilogy. These “second reads” of his books are rare indeed and this one makes great points about JDP’s relevance today. “The line for which Dos Passos is best known comes from his anguished account, in… Read more »
4th Biennial John Dos Passos Society Conference: October 8-10, 2020 Instituto Cervantes, New York City Abstract Submission Deadline: April 30, 2020 Graduate students wishing to be considered for supplemental travel funding must submit a 1500-word draft by June 30, 2020 The John Dos Passos Society invites papers for its Fourth Biennial Conference, to be held… Read more »
Congratulations to Onésimo Teotónio Almeida on winning the 2019 John Dos Passos Prize, administered by the autonomous region of Madeira. Story in Portuguese.
Successful meeting of the John Dos Passos Society last week at the annual conference of the American Literature Association in Boston, MA. Presenters and representatives from Spain, Japan, Sweden, and the United States. Dos Passos led an international, multicultural life, and scholars regularly fly from around the world to seek fellowship in JDP studies. The… Read more »
Except for Midcentury (1961), my grandfather John Dos Passos had great trouble selling books and earning critical acclaim with his books after the U.S.A trilogy (1938). Yet, contrary to the critical consensus that still damages his legacy, his pen did not suddenly and irrevocably become inert from 1938-1970. Some of his last works were his… Read more »
Again, per Miguel Oliveira‘s book on John Dos Passos as immigrant, many Portuguese-American immigrants change their surnames to assimilate into American culture. “dos Passos” became “Dos Passos” (a relatively small change) and, in other families, “Pereira” became “Perry.” Super-famous American singer, Steve Perry, the voice of Journey and “Don’t Stop Believin’,” was born in Hanford,… Read more »
Traditionally, many Portuguese coming to the United States have settled in New England, in Massachusetts or Maine, along the coast. My grandfather in fact lived many years, happily, in Provincetown, among the seamen and artists. Reading portions of Miguel Oliveira’s wonderful book, From a Man without a Country to an American by Choice: John Dos… Read more »